- euros
What We Imagine
- 50 x 50 cm
€600
I created What We Imagine as a diptych exploring the space between what we see and what we imagine. Rather than depicting a specific subject, I built the two paintings through layers of colour, gestural marks and shifting forms, allowing the image to remain open to interpretation. Soft pinks, muted blues, greens, creams and earthy tones are interrupted by darker expressive marks. The contrast between the softer passages and more energetic gestures creates a quiet tension between the two panels, while their shared palette and visual language bring them together as one work. I am interested in the way abstract painting becomes personal through the act of looking. We naturally search for familiar forms and meanings, but each viewer may discover something different. For me, this ambiguity is an essential part of abstract expressionism.
- euros
€600
Beyond Recognition
- 50 x 50 cm
- euros
€600
I created Beyond Recognition as an exploration of what happens when a familiar image loses its boundaries and becomes something open to interpretation. I work through layers of colour, gestural marks and contrasting forms, allowing the composition to develop without deciding in advance what it should represent. Soft pinks, muted blues, earthy tones and darker accents create a balance between delicacy and tension. I wanted the painting to remain somewhere between recognition and abstraction, where the viewer can find their own associations rather than being given a specific subject. For me, this is at the heart of abstract expressionism: the painting does not need to describe something recognizable in order to communicate. It can work through colour, movement, texture and emotion.
- euros
€600
The Possibility of Meaning
- 50 x 50 cm
- euros
€600
I created The Possibility of Meaning without starting from a defined image or subject. Instead, I allowed the composition to develop through layers of colour, gestural marks and the gradual interaction of different forms. Soft pinks, muted blues, greens, cream and earthy tones create a shifting visual field, while darker expressive marks add depth and tension. Some forms appear almost recognizable, then dissolve again into abstraction. I wanted to leave that uncertainty open rather than resolve it into a specific image. For me, this is where abstract painting becomes particularly interesting. Meaning does not always have to be given to us. Sometimes it emerges through the way we look, what we associate with the colours and forms, and what the painting allows us to imagine.
- euros